SEMESTER SCHEDULE
1
Introduction to course & syllabus.
Ice-breaker: Introduction to Active Listening.
In-class Reading: Adorno, "Constellative Thinking"
Assignment 1
Begin journal towards annotations. Consider which artists might work. Upload a few tracks and some ideas of what kinds of influences and generic spaces you might want to consider. Comment on someone else's journal and listen to their uploads.
Assignment 2
2
Topic: Genre Formation 1: The Habitus; Norms.
Readings: Bourdieu, Jaeggi
Assignment 1
Select your artist and their influence. Consider a thesis about generic conventions—does your artist's influence reinforce or challenge their generic location? In your journal, ask specific questions about what you think the musical influence is and its effect on your artist's generic location.
Assignment 2
3
Topic: Genre Formation 2: Generic Episteme
Readings: Johnson
Assignment 1
Have made some initial steps towards answering those questions: make a small bibliography and sketched some ideas of some appropriate terminology. Narrow in on specific areas of your playlist; use timestamps to assist the class in listening to your specific examples.
Assignment 2
4
Topic: Your Own Research into music-specific questions
Assignment 1
Continue as in Week 3. All students are required to have an Office Hours appointment to discuss the music-specific elements of your project.
Assignment 2
5
Topic: "The Sacred" in Institutions.
Readings: Durkheim, Douglas.
Assignment 1 is due

Convert the best of your journal into annotations in a separate document. Be sure to include timestamps so that the class and I may engage fully in your argument and citations.

Students will assess one of their peers according to a provided rubric, and that assessment will be weighted against my own. The majority of the grade, however, will depend on work done in prior weeks.
Assignment 2
6
Topic: Class taste in genre, propriety, norms, and disgust.
Readings: Bourdieu, Hughes
Assignment 1 Revision is due

If you are not entirely happy with your grade or you'd like to respond to feedback—seeing as you'll be building on this assessment in Assignment 2—you have this week to revise and resubmit addressing your feedback for partial additional credit.
Assignment 2
Consider the Research Questions for Assignment 2. Sketch out some initial thoughts in response. What questions seem difficult to answer? Are there better questions you could ask? What are they?
7
Topic: The Entrepreneurial Spirit and Cynicism.
Readings: Baudrillard, Ritchie
Assignment 1
Assignment 2
Choose a thesis for your presentation and subsequent conversation. This should shape the area of focus for your artist and their relationship to their generic space, and should build on what you've learned from Assignment 1. Comment on another student's thesis, asking follow-up or clarifying questions if needed.
8
Topic: Your Own Research into Genre as Social.
Assignment 1
Assignment 2
Continue working on Assignment 2. Required Office hour this week to make sure things are on track.
9
Topic: Your Own Research into Genre as Social.
Assignment 1
Assignment 2
Begin sketching presentation itself—what's your argument?

Peer exchange: share draft ideas, note areas where work is needed; readers, ask clarifying questions.
10
Work-in-progress Class Presentations.
Assignment 1
Work-in-progress Class Presentations

Feedback and self-reflections, towards final one-on-one conversations.
11
Topic: TBD
Readings: TBD
Assignment 1
Overflow presentations if needed

Additional time for class presentations if we need more time.
12
Exams Week
Assignment 1
Assignment 2 Due

One-on-one discussion/presentation